Did you ever notice this, when visiting a museum? Most people look at paintings from faraway. However, a single person is at a distance of a few centimeters to his eyes from a painting. Often this guy is warned by the museum guard: “Please back off.” This chap is definitely a painter himself. I know this because I do the same. I need to examine the painting technique: I want to see brushstrokes, feel the varnish, detect what kind of canvas the artist uses, at the borders sometimes some grounding is visible. I want to discover the secrets. Basically I am anxious to catch a glimpse of the Masters kitchen. People like me always stand in the way. We belong to that special breed among museum frequenters: the annoying visitor. For people like us it’s great that many museums have put some of the highlights from their collection in high resolution on the internet. For example, have a look at this link of the Metropolitan Museum of Art.
I got the wrong end of the stick: colour contrast
In response to my blogpost dated 1 May of this year I received the following comment:
Hello Ben
A beautiful portrait, but I do not understand the remark about the red face and green background. I would think that the effect is thereby enhanced. Greetings”
Yvonne Welman
This observation is of course correct. Indeed, the green enhances the reddish effect. Green against red is a complementary contrast. Well, I have altered the background of the original painting in photoshop. In this changed version red is now the dominant colour overall. The whole painting is thus getting a huge saturation of the red tones. I did not want that. That is what I meant when I wrote “To minimize the impact of the reddish face I surrounded it with a greenish background.” (By all means, in the original painting, I had already introduced some red accents in the background, as an echo of the reddish flesh tones, at the left of the face.)
Off to Holland
Tomorrow, May 8, off to Holland for a commission. Sorry, no post this week. Come back next week.
Not a lick and a promise
I like to see half finished paintings, even of my own work. It says something about the work process. Was it the Dutch writer Cees Nooteboom who once said “Traveling is better than arriving”? I just found this image of a half painted portrait. Here you see: I am traveling. It is not finished; not yet at my place of destination. Often I enjoy more of the process itself then the finished product.
Also this picture reminds me of something else. I see the small statue in the background. It represents the Greek mythologic figure of Atlas who held up the celestial sphere. I added this prop at the special request of the sitter, the retiring Professor of Philosophy at Vrije Universiteit of Amsterdam. For lack of good reference material I made a sculpture in plastiline myself and painted it with acrylics to imitate the bronze patina. I really like to prepare things blow by blow. Not a lick and a promise.