About white in oil painting

About white in oil painting

Much can be said about white in oil painting. By far it is the paint that is most sold. I am also a bulk consumer.Together with Yellow Ocher, it is the paint that I use the most.

Since I have been browsing every now and then the beautiful book The Art Spirit by Robert Henri, I come across the most beautiful passages that I must remember. I keep my ear to the ground reading these pages. Continue reading “About white in oil painting”

Thoughts on preparing the palette

Some thoughts on preparing the palette.

Never skimp on the good stuff. Cheap materials make cheap artwork! I’ll give you a few some thoughts on preparing the palette.

Put enough paint on your palette without retrenchment. Especially the colours you will use often, such as white, yellow ocher, cadmium red and burnt sienna. I often see students adding medium hoping to obtain more amount of paint.  Always use the same order. The sequence you determine yourself, for example the darks left, white in the middle, and the lights on the right, or from dark to light with white left. Or the yellows and reds at the right and the blues and greens at the left side. It does not really matter as long as you always keep a fixed order. You must find your way blindly. (keep your kitchen organized!) Continue reading “Thoughts on preparing the palette”

Portrait painting and inspiration.

portrait painting inspiration

Sometimes I wonder why I want to paint a good portrait. Where does that fervour come from? What about my  portrait painting and inspiration. I’ve never been able to answer that question. And it should stay like that, I guess. That everlasting urge, that gruelling passion; I have learned to live with it. It was not always an easy road. More than once, I was jealous of people without any ambition. Continue reading “Portrait painting and inspiration.”