Painting a portrait in watercolour

“If you are self-employed, do you need a lot of self-discipline?” someone asked me a long time ago.  “Of course!” was my answer, “because you need to know when to stop.”  Unless you pay attention, you find yourself day and night behind the easel.  I have had to think of that now I am seized with “watercolour fever”.

Portrait in watercolour
Portrait in watercolour

Two weeks ago I wrote you about a commission in watercolour. I finished the job but I could not shake myself free of watercolours as they captivated me. I attacked (after Van Gogh) a number of portraits in this beautiful technique. The working method in watercolour is opposed to that of oil. In oil you immediately start with the darkest parts, then the half tones and finally the lights. On the contrary, in watercolour you start with the light areas, (saving the high lights). Then the halftones and finally the darkest parts.

Already people have asked me for a tutorial and I have put it on the agenda for next year. Next post will be on the preparations for a watercolour portrait.

My watercolor equipment.
My watercolor equipment.

The colours on my palette:

  • Cadmium Lemon Yellow
  • Cadmium Red Light
  • Yellow Ochre
  • Raw Sienna
  • Alizarine Crimson
  • Phtalo Blue
  • Cerulean Blue
  • Sap Green
  • Hookers Green

I prefer to work on Arches France, Bockingford or Fabriano paper.

Portrait commission in watercolour

portrait commission in watercolour
Painting a portrait in watercolour.
Working on a commissioned portrait. Watercolour.

It’s been a long time since I made a commissioned portrait in watercolour. The technique is so different from oils that I need to change my mind substantially. I love this technique but I do it too little. So, today one of my good intentions: at least one portrait per month in watercolour. When the client gives me permission I will show you the end result.

I used watercolour: Rembrandt / Talens. Paper: Arches / France